John Lewis plays online video card every Christmas #ExcitableEdgar

​John Lewis kick starts Christmas countdown with latest video ad.

The release of the annual John Lewis Christmas Advert has become something of a national event, and this year is no different.

2019's advert is called Excitable Edgar and was released on Thursday 14th November 2019...

​Excitable Edgar tells the story of a magical friendship between dragon and a little girl and how one thoughtful gesture can make all the difference.

Edgar the Dragon can get a little bit excited over the Christmas season, which leads to fiery consequences, but his friend has a perfect present for him to be involved in the festivities, in his own way.

British band Bastille provide a cover of REO Speedwagon’s “Can’t Fight This Feeling”. Once again, advertising agency adam&eveDDB has created this year’s John Lewis & Partners Christmas advert.

Watch the advert here...

​The growth of video marketing

​Do you remember John Lewis’ previous Christmas adverts?

Now for some festive (video) entertainment. Below is every Christmas campaign that John Lewis has launched between 2010 and 2018:

​2018: The Boy ​and the Piano

​Elton John stars in the 10th installment of John Lewis & Partners Christmas adverts, created by Adam & Eve/DBB.

‘The Boy and the Piano’ sees John playing his famous 1970 it ‘Your Song’ as you back through moments of his storied career all the way back to the first moment he received a piano for a Christmas present.

​2017: #MozTheMonster

​Moz The Monster features Joe, a young boy who is being kept awake at night by an oversized, imaginary monster named Moz, who sleeps under his bed. An unlikely friendship develops, and all manner of nocturnal mischief ensues.

The video, directed by Michel Gondry, the celebrated film director behind The Science of Sleep and Eternal Sunshine of the Spotless Mind, is brought to life by its soundtrack, a cover of The Beatles’ song Golden Slumbers by rock band Elbow.

​2016: Buster the Boxer

​Buster is the star of this advert, which also features a six-year old girl, a trampoline and a great pair of pyjamas. The song is Randy Crawford’s 1980 single, One Day I’ll Fly Away, performed by the Vaults.

Created by advertising agency adam&eveDDB, it has broken all previous John Lewis ad records. Within the first hour of its release, Buster the Boxer got 218,330 video shares on Facebook, Twitter and YouTube.

​2015: The Man on the Moon

​This video featured a girl trying to send a message to a man on the moon while looking through her telescope.

The soundtrack is the Oasis track, Half the World Away, and is performed by Norwegian artist Aurora. To date, it has garnered over 26 million views on the John Lewis YouTube channel.

​2014: Monty the Penguin

​This is the first Christmas ad that John Lewis created its own hashtag for.

#montythepenguin was used in 49,562 tweets in the three hours after the ad’s online release.

​2013: The Bear and the Hare

​To date, more than 16 million people have viewed this animated tale on the John Lewis YouTube channel, while the ad was mentioned in 49,152 tweets in the first 24 hours of its release.

​2012: The Journey

​This is the year online video came of age. This video has received more than 6million views and was mentioned in 21,027 tweets in the first 24 hours after its online release.

​2011: The Long Wait

​John Lewis launched its 2011 festive ad on its own YouTube channel and Twitter. And in the week before it made its TV debut, during The X-Factor’s ad break, the video was shared 183,000 times and mentioned in 10,000 tweets.

It would have received more than 290,141 views, however, had the online version not replaced the cover version of The Smiths’ Please, Please, Please, Let Me Get What I Want with a track from unknown band, Being Buffalo.

​2010: Rocking Horse

This video is best remembered for launching Ellie Goulding’s pop career thanks to her cover of Your Song by Elton John in the ad. But more significant is that John Lewis didn’t upload the campaign to YouTube, and this version has fewer viewings on the social media channel.

Regardless of what channel these are viewed on, the growing popularity of online videos cannot be ignored.

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